Art encrypts all messages layer by layer, and I can interpret the world I see without reservation, whether it is ugly or beautiful.
Spiritual Fossils
His practice revolves around the metaphor of "encapsulation and representation," employing a unique mixed-media approach to transform individual emotions, societal dynamics, and intangible cosmic forces into paintings with textured surfaces reminiscent of rugged rock formations.
Drawing inspiration from nature’s ability to preserve fossils, Cheng Yen seeks to construct a visual language that encapsulates energy, memory, and time, exploring the cyclical process of "deconstruction and reconstruction" within the human spirit. Much like fossils that encapsulate energy and emotion, his paintings are preserved and continuously reinterpreted, revealing profound connections between the cosmos, life, and human nature.
His work delves into fragility, sensitivity, and the duality of destruction and restoration, reflecting the contradictions and anxieties within the human psyche. By skillfully merging the fluidity of Eastern ink painting with the tension of Western abstract expressionism, his paintings carry profound philosophical and emotional depth, extending into the relationships between time, emotion, energy, and the universe. His work conveys the irreversibility of the past, the intuition of the present, and the uncertainty of the future. Often drawing inspiration from Eastern religions, cultural fusion, and personal experiences, Cheng Yen continuously explores the essence of life.
His artistic practice is closely related to Pintura Matèrica, incorporating architectural materials such as plaster, clay, concrete, sand, soil, and adhesives to prime the canvas. By embedding ancient fossils and mother-of-pearl, he emphasizes texture and stone-like traces, imbuing the artwork with physicality and material presence. These materials themselves become the subject, evoking a sense of weight, density, and existence. Their raw, organic nature stirs a mysterious resonance and emotional connection, as if emerging from a distant time and space.Through this process, Cheng Yen reveals the invisible bond between natural substances and humanity. His work seeks to connect the most humble materials with the intangible, metaphysical world, elevating them to a ritualistic and spiritual level.
Materials
He views his paintings as "spiritual fossils." To him, fossils encapsulate the essence of distant times and spaces—traces of existence before they became remnants. The more solid and enduring the trace, the more meaningful it becomes, as it signifies being. If a work of art can, in some way, achieve permanence, it must possess extraordinary strength and potential. He believes architectural materials have the capacity to fulfill this purpose.


Eternity and A Day - The Circle of Fate
Material : mixed media on canvas
Year : 2024
Size : 195X145 cm

Eternity and A Day - The Circle of Fate#2
Material : mixed media on canvas
Year : 2024
Size : 70x70 cm

Eternity and A Day - Tears of an Angel
Material : mixed media on canvas
Year : 2024
Size : 70x70 cm

Eternity and A Day - The Circle of Fate#3
Material : mixed media on canvas
Year : 2024
Size : 70x70 cm

Eternity and A Day - The Circle of Fate#1
Material : mixed media on canvas
Year : 2024
Size : 70x70 cm