Dust that Never Settles
Identity, Hybridity and Fluidity
2023-2025
Art encrypts all messages layer by layer, and I can interpret the world I see without reservation, whether it is ugly or beautiful.
Statement
Dust that Never Settles is a mixed-media painting series that
explores the complexities of identity shaped by cultural collision
and migration. Through processes of material construction and
deconstruction, the work responds to existential questions of
“Where do I come from?” and “What have I become?”
Project - Dust that Never Settles
Rooted in my personal immigration experience and postcolonial
history, the series reflects the tensions of hybridity—between
intimacy and alienation, presence and absence, fragmentation
and reconstruction. Identity is viewed as a dynamic process:
an effort to take root, while also navigating the condition
of uprootedness. This shifting state speaks to the fluid and
continually evolving nature of selfhood.
Visually, I combine the formal language of Western abstraction
with the aesthetics of Eastern traditions to create a hybrid visual
vocabulary. This contradictory painting process mirrors the
evolution of cultural identity through conflict and fusion.
The works incorporate architectural and everyday materials—
soil, brick fragments, clay, cement, plaster, sand, and nails—as
the foundation of each composition. These elements carry deep
symbolic meaning. Cement and plaster, typically associated with
construction, become vessels of cultural memory; nails suggest
both rupture and connection. Together, they underscore identity
as something sedimented through landscape, daily life, and
history—not an abstract ideal, but a grounded reality.
Materials
He views his paintings as "spiritual fossils." To him, fossils encapsulate the essence of distant times and spaces—traces of existence before they became remnants. The more solid and enduring the trace, the more meaningful it becomes, as it signifies being. If a work of art can, in some way, achieve permanence, it must possess extraordinary strength and potential. He believes architectural materials have the capacity to fulfill this purpose.
Eternity and a day- Impermanence#4
Material : mixed media on canvas
Year : 2024
Size : 210x210cm
The Book of Sand – Jorge Luis Borges
Material : mixed media on canvas
Year : 2024
Size : 195x145cm
Eternity and A Day - The Circle of Fate
Material : mixed media on canvas
Year : 2024
Size : 195X145 cm
